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Color Correct
Color Correct manipulates red, green and blue values of the overall image and separately in user definable shadow, midtone and highlight areas. Hue, saturation, brightness, contrast and gamma controls allow for further control.
 
F-Stop
F-Stop manipulates red, green and blue values of the overall image and separately in user definable shadow, midtone and highlight areas using F-Stops as the unit of measure.  In camera terminology, F-Stops measure the size of the lens opening, otherwise known as aperture.  Each F-Stop is twice as bright as the next.
 
Printer Points
Printer Points manipulate the red, green and blue values of the overall image and separately in user definable shadow, midtone and highlight areas using motion picture laboratory printer points as the unit of measure.  When creating color prints for motion pictures, a contact printer performs scene-to-scene color corrections.  The most popular printing method is additive printing that uses three separate colored sources - red, green, and blue which are combined to form the light source that exposes the film.  The red green, and blue light valves in the printer are adjusted in values of 1, 2, 3...up to 60 for each primary color and are called printer points or printer lights.
 
Telecine
Telecine emulates the method of color correction done in a telecine film to tape transfer suite.  Hue, saturation, brightness, contrast, gamma and pedestal values of the overall image can be adjusted as well as separately in user definable shadow, midtone and highlight areas.
 
Temperature
Temperature manipulates the temperature, cyan/magenta and brightness values of the overall image and separately in user definable shadow, midtone and highlight areas.